His works openly adopt an irreverent stance to various different social, sexual, historical, and political themes that were rarely given any recognition within the art establishment and its discourses at the time.īrought up on the West Coast by a Chinese mother and a Chinese-Mexican stepfather, Wong was a transcultural artist connected to his ancestry. As part of his highly poetic approach, Wong created compositions of different layers in his paintings-not only layering color, aesthetics, and history but also learnings gathered from personal experiences and interests. These cultural and formative spaces provided him with the opportunity to grow artistically. in San Francisco near Chinatown in the 1960s and 1970s or Loisaida in New York in the 1980s and 1990s. Martin Wong is a key example of counterculture in the US, straddling the geographic boundaries of the East and West Coast, as well as the boundaries of the cities in which he lived and worked-whether it being e.g. In consequence, the exhibition explores sociological and political aspects of Wong’s work as well as the way these underscore the transfer of language to the medium of painting. The exhibition aspires to expand Wong’s practice and recognition among a European audience and to situate Wong within a group of artists, who determined by their personal biographies are known for their political commitment and ability to reflect their chosen life contexts in their art. Martin Wong: Malicious Mischief is the result of exhaustive research into the life’s work of Wong from his early creations on the US East Coast to his work in the late-1990s before he died due to an AIDS/HIV-related illness. Museo Centro de Arte Dos de Mayo is presenting the first extensive exhibition of the work of the US-Chinese artist Martin Wong (born 1946 in Portland, Oregon, died 1999 in San Francisco) in Europe. Curated by Krist Gruijthuijsen and Agustín Pérez Rubio

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